Tributaries are freshwater streams that find their way overland to larger rivers that ultimately make their way to the ocean. Without these humble streams, larger waterways would soon grow quiet. In this way, we can also think of tributaries as questions that allow our imagination of ourselves and our environments to open up into larger perspectives that touch the world like an Atlantic. The fate of water and the fate of people are undoubtedly intertwined in a lasting dance.
Black’s Run, often overlooked for its polluted past, weaves its way through the body of Harrisonburg like a weaver’s thread- sometimes visible on the surface and sometimes hidden underneath- but at all times binding the cloth of the city together. In freshwater hymns / rituals of becoming, the voice of this humble stream offers a ritual pathway for us to follow into a brilliant dream of who we are becoming. The creation of a new kind of instrument- an electric weaver’s harp- transforms the historical tensions surrounding this thread of a waterway into music.
Drawing from a tributary logic
This performance project offered the community of Harrisonburg three questions:
When waterways are uncovered, what music is possible?
How can the clearing of water clarify how we want to be with each other?
What can the nature of water teach us about interconnectedness and freedom?
Artist & Director
Indira Allegra
Curator & Fabricator
Rob Merton
Performers
Lauren Clingenpeel
M. Greenwald
Regina Cyzick Harlow
Weaver's Harp (Electric)
Jon Henry
Black's Run
Zada Sudduth
Richard Waddingham
Cinematographer
Chani Bockwinkel
Post-Production
Indira Allegra
Production Assistant
Jeremy Starn
Freshwater Hymns | Rituals of Becoming Excerpt
Composers
Mikayla Mae Lao
Will Shanahan
Performers
Morgan Marie Knot
Megan Marie Smith
Achilles Vasquez